Face.

"Yes, I have a cat. How did you know?" Ridiculous. #mycatwontstopsleepingonmystuff

Vince Harrington @ DNA Models by Dana Scruggs for GODS Magazine

(Source: danascruggsphoto)

dynamicafrica:

Kanye West keeps it simple, but casual cool, for his cover and editorial feature in the August issue of GQ magazine photographed by Patrick Demarchelier. dynamicafrica:

Kanye West keeps it simple, but casual cool, for his cover and editorial feature in the August issue of GQ magazine photographed by Patrick Demarchelier. dynamicafrica:

Kanye West keeps it simple, but casual cool, for his cover and editorial feature in the August issue of GQ magazine photographed by Patrick Demarchelier. dynamicafrica:

Kanye West keeps it simple, but casual cool, for his cover and editorial feature in the August issue of GQ magazine photographed by Patrick Demarchelier.

dynamicafrica:

Kanye West keeps it simple, but casual cool, for his cover and editorial feature in the August issue of GQ magazine photographed by Patrick Demarchelier.

sarcasmandbadweather:

WOEIRJAOIWJAOIWEJFOAIFOFJW

(Source: sinceregent)

redsuns-n-orangemoons:

livesoundgirl:

underscoreqveen:

eclecticallyjai:

lethalpleazure:

Barack Obama circa 1980.

This!

Dopest president to ever grace the nation!

One of my favorite photos in the world!

Obeezy!

presidential squat

callmeoutis:

i was ready to just scroll past like “haha grammar humor” but then it was weird al and i,

(Source: iraffiruse)

spookyemporium:

Begotten is a 1990 surreal horror experimental film written, produced and directed by E Elias Merhige. The film was shot entirely in black-and-white with no dialogue whatsoever. The film is basically a reimagining of the story of the Genesis. A (much shorter) Spiritual Sequel, Din of Celestial Birds, was released in 2006. 

It was shot on black and white reversal film, and then every frame was rephotographed for the high-contrast look that it presents. Merhige said that for each minute of original film, it took up to 10 hours to rephotograph it for the look desired.

The primary inspiration for the film came from a near-death experiment at the age of 19, after a car crash

Summary: The story opens with a robed, profusely bleeding “God” disemboweling himself, with the act ultimately ending in his death. A woman, Mother Earth, emerges from his remains, arouses the body, and impregnates herself with his semen. Becoming pregnant, she wanders off into a vast and barren landscape. The pregnancy manifests in a fully grown convulsing man whom she leaves to his own devices. The “Son of Earth” meets a group of faceless nomads who seize him with what is either a very long umbilical cord or a rope. The Son of Earth vomits organic pieces, and the nomads excitedly accept these as gifts. The nomads finally bring the man to a fire and burn him. “Mother Earth” encounters the resurrected man and comforts him. She seizes the man with a similar umbilical cord. The nomads appear and proceed to rape her. Son of Earth is left to mourn over the lifeless body. A group of characters appear, carry her off and dismember her, later returning for Son of Earth. After he, too, is dismembered, the group buries the remains, planting the parts into the crust of the earth. The burial site becomes lush with flowers.

Supposed to be busy. But I’m not.

satanstorm:

Cornrow meets fishtail in this double-braided ‘do, created by us for #AmmermanSchlosberg’s Lolita-inspired collection 👀 the how-to on the #OC blog by openingceremony http://ift.tt/1l8vWtZ

mandhala:

kaleidoscope—-skies:

likeafieldmouse:

Mungo Thomson - Negative Space (2006)

🌻 more here 🌻

mandhala:

kaleidoscope—-skies:

likeafieldmouse:

Mungo Thomson - Negative Space (2006)

🌻 more here 🌻

mandhala:

kaleidoscope—-skies:

likeafieldmouse:

Mungo Thomson - Negative Space (2006)

🌻 more here 🌻

mandhala:

kaleidoscope—-skies:

likeafieldmouse:

Mungo Thomson - Negative Space (2006)

🌻 more here 🌻

mandhala:

kaleidoscope—-skies:

likeafieldmouse:

Mungo Thomson - Negative Space (2006)

🌻 more here 🌻

foxxxynegrodamus:

TEAM BRALESS AND FLAWLESS
#LEADEROFTHEPACK foxxxynegrodamus:

TEAM BRALESS AND FLAWLESS
#LEADEROFTHEPACK foxxxynegrodamus:

TEAM BRALESS AND FLAWLESS
#LEADEROFTHEPACK foxxxynegrodamus:

TEAM BRALESS AND FLAWLESS
#LEADEROFTHEPACK

foxxxynegrodamus:

TEAM BRALESS AND FLAWLESS

#LEADEROFTHEPACK

paxmachina:

Onna Bugeisha (Feudal Japan Female Samurai)

Rare vintage photograph of an Onna-Bugeisha, one of the female warriors of the upper social classes in feudal Japan (emerged before Samurai)

An onna-bugeisha (女武芸者?) was a type of female warrior belonging to the Japanese upper class. Many wives, widows, daughters, and rebels answered the call of duty by engaging in battle, commonly alongside samurai men. They were members of the bushi (samurai) class in feudal Japan and were trained in the use of weapons to protect their household, family, and honor in times of war. They also represented a divergence from the traditional “housewife” role of the Japanese woman. They are sometimes mistakenly referred to as female samurai, although this is an oversimplification. Onna bugeisha were very important people in ancient Japan. Significant icons such as Empress Jingu, Tomoe Gozen, Nakano Takeko, and Hōjō Masako were all onna bugeisha who came to have a significant impact on Japan.

(Source: retro-vintage-photography.blogspot.com)